Smith And Mighty Bass Is Maternal Rar

Apr 08, 2008 Smith & Mighty - Bass is Maternal 1995 In the late nineties my heart and ears were firmly in Bristol - Roni Size, Massive Attack, Portishead - it was all happening - the birth of trip hop and drum and bass from Hip Hop and Jungle - what happens when the suburban meets the urban, black meets white (and every color in between). Ashley Road Sessions 88-94 by Smith & Mighty, released 09 November 2018 1. Always Be There (Step Up) 2. Tumblin' (Death March) 4. Latent Energy 5. Morning Light 6. Higher Than Tempo 8. Through A Dark Cloud “Inventing Massive Attack, Soul II Soul, Tricky, Portishead, Bjork, Mo’Wax, trip hop, The Bristol Sound, Roni Size and just about every. SMITH AND MIGHTY BASS IS MATERNAL CE OBI JAPAN PROMO 1CD. $1.99 0 bids + $12.00 shipping. Smith & Mighty ‎– Dj-Kicks / Studio! K7065CD CD Album. Smith & Mighty Big World Small World Digipack CD K7 Bristol Drum and Bass. $6.51 + $7.24 shipping. Find Smith & Mighty bio, music, credits, awards, & streaming links on AllMusic. Bass Is Maternal. See Full Discography Related Artists. Filename C:EACRIPSmith & Mighty - 2000 - Bass is Maternal01 - Hold On (Strange Mix).wav Pre-gap length 0:00:02.00 Peak level 99.0% Track quality 100.0% Test CRC DC267651 Copy CRC DC267651 Copy OK Track 2 Filename C:EACRIPSmith & Mighty - 2000 - Bass is Maternal02 - Jungle Man Corner.wav Peak level 99.3% Track quality 100.0% Test CRC.

People from the era tell their stories.


» Rob Smith and Smith & Mighty


Rob Smith Mixes
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In 1988 clubs, cafes and bars across the nation began tuning into a track that would help define the next 16 years of British dance music. 'Anyone (who had a heart)', a Bacharach and David cover, done in a style that used the lyrics but resembled little of the original, introduced 'Smith and Mighty' to the U.K. dance culture's consciousness. The tracks heavy synthesised dub bass, tight production, mid-tempo b-drum heavy and sharp snare beat, set off with piano, strings, a couple of well placed samples sat magnificently behind Jackie Jackson's sublime vocal. This track presented a new mix template for dance music which had been hinted at by the Wild Bunch's version of 'The Look of Love' the year before. The duo of Rob Smith and Ray Mighty perfected this style with their own unique vision as they went on to release another instant classic 'Walk on By' (again a Bacharach and David cover), produced a top ten single for Fresh Four (Wishing on a Star), produced Massive Attacks first single (Any Love) and a sublime album for Carlton (The Call is Strong) on London records who had pulled out the cheque book to sign the act.

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Smith and Mighty continued to produce, remix and DJ across the world and worked on an album that would not see the light of day due to record company short-sightedness. During this time they worked with Neneh Cherry and Fine Young Cannibals amongst others before they left London in 1994. One 12' they did release before leaving London was the 'Steppers Delight EP', tracks on this anticipated the 'Jungle/Drum and Bass' scene and kept S&M's reputation riding high. After they left London they set up their own 'More Rockers' label and set the standards even higher with the 'Bass is Maternal' album. Rob and Ray then provided K7 with a DJ kicks album and signed to the German Label for a series of Smith and Mighty albums. With Rob and Peter D Rose also linking up in the drum and bass act More Rockers the 1990s were a hectic and busy period.

Rob Smith has now entered a new phase in his recording career and has released his debut 'solo' album on Manchester's Grand Central Records. 'Up on the Downs' has all the elements of classic Bristolian creativity. You can hear Rob's many influences from Punk and New-Wave, Reggae and dub to heart wrenching Soul. There are collaborations with a range of vocalists who provide gorgeous compliments to Smiths compositions. Smith has consistently championed the independent, DIY philosophy of punk and has always produced music that speaks to the emotions as well as the dance floor. He is presently writing a second album for Grand Central, DJing all over the world and continuing to produce music of the highest quality.

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Set the control (for the heart of BASS) !
Big World, Small World is a striking long player from producers Rob Smith, Ray Mighty and junglist associate Peter D that aims for a heavy-hearted urban blues. Architects [and perhaps archetypes] of the 'Bristol Sound', Smith & Mighty enjoy a formidable legacy--they produced Massive Attack's first single and recorded a 'great lost' debut LP 'Bass Is Maternal'. Subsequently more street (or more accurately rave) than Massive they continue to thread junglist licks and a punky grit into their productions. Tracks are slow-hipped, downtempo and firmly rooted with references to Jamaica's Studio One, old school breakbeat and earthy basslines. Lyrics are strident and romantic--backstreet howls and soundsystem laments--meat for the soaring soul of guest vocalists LD, Tammy Payne, Kelx and Rudy. It is difficult to pick a standout as all are burnished alloys of keening voice, dope rhythm and Bristol's trademarked imperial 'Sound'.